If you need the song Arci Munoz sang at the end of Camp Sawi movie, then skip reading the article below and head on to the last part where the Youtube video is.
If you want to know how Camp Sawi with Active Vista is suggesting that people seek medical psychological help when they're depressed, read the article.
Active Vista reminds me of how Revolutionizing The Way We See Things can help rape victims see the blessing of their suffering.
And so I used the Active Vista's Truth X Imagination strategy to find genius in Viva Films' movie Camp Sawi, a movie I ignorantly presume to be something that Active Vista contrasts from and a movie that at face value might be labelled as "shallow, superficial or superfluous"
1. Camp Sawi is a comedy your family and friends can watch, with an acting performance and Filipino humor flavor that I believe any Cebuano audience will appreciate, unless they're unhappy.
But it's also an experimental cinema in that it presents us a social experiment of housing people who suffer from an addiction to drama, and steering them away from suicide thru absurd comedy, and the beauty of Cebuano beach the way Gosiengfiao's Temptation Island and Jon Krasinsky's Brief Inteviews with Hideous Men attempted to resolve the knee-jerk reactions of intelligence.
2. Camp Sawi is a comedy that, if you go beyond face value, will make you rethink, and detach from the thought of being victimized.
On the other hand, the movies I saw in Active Vista made me think that maybe the more revolutionary approach is how not to discriminate against movies that are supposedly made for money or movies that are just made for entertainment.
The challenge is for one to not go for the knee-jerk reaction and say things like, "That movie is dumb and is not deep and is not socially relevant."
The challenge is to find in movies like Camp Sawi a form of beauty, and a message that promotes human rights.
The challenge is not to be lured by the dangers, convolutions and pretensions of depth in socially relevant cinema that might have caused David Foster Wallace's and Robin Williams' suicide.
The challenge is to not attach meaning where there is none.
The challenge for Dakila is to find humor in the struggle for change in the same way that Camp Sawi's challenge is for its creators to be aware of the costs of being shallow.
The challenge is for Camp Sawi and Dakila's directors to have Skin In The Game in that they will, say, build a mechanism that if it's proven that the people who have seen their movies will become depressed by watching them, Camp Sawi and Active Vista will help pay for mental health medication because they contributed to the health hazard. Or something like that.
Movies in the Active Vista International Human Rights Film Festival seem to scream of importance in a culture where intellectuals can defend that Cat Videos are just as, if not more important than, a film covering poverty and human rights, especially after reading enough Postmodern Philosophy to see them that way.
The challenge of Active Vista is to accept that The Truth, after reading Nicholas Nassim Taleb, David Foster Wallace and Jessica Zafra's blog, is to embrace cosmic indifference, to remember that we're just teaching birds to fly, and that the reason Filipinos forget too easily is because it's in being in the constant present detached from time can one be happy.
If one can be happy, why would a sane Filipino stick to the past that makes one suffer?
P.S. You can watch the beautifully shot Camp Sawi at SM Seaside City Cinema. You might not have the same wonderful experience if you watch elsewhere.
Also, here's The Arci Song in Camp Sawi you're looking for and that you're playing in a loop a million timesh, probably harming yourself:
a bad richard