Clark Mantilla's Di Nako Madutlan May Be About Mithridatism Kung Diin Para Di Ka Madutlan Sa Poisonous Nga Gugma, Mag Pa Poison Ka.

1. Vlogger Clark Mantilla, Songwriter Ryan Ben Gabby Taborada and Pianist Vanessa Abad's Di Nako Madutlan could be a song about Mithridatism , where para Di Ka Madutlan sa kasakit sa gugma, angay ka magpasakit gamay niya. Hashtag rhyme:

Mithridatism is the practice of protecting oneself against a poison by gradually self-administering non-lethal amounts. The word is derived from Mithridates VI, the King of Pontus, who so feared being poisoned that he regularly ingested small doses, aiming to develop immunity.

2. Suma, ang mga bata nga dili mag duwa pirmi sa lapok, dali ra madutlan sa mga sakit kay wala ma immunize. Mga dili mukaon ug lain lain nga pagkaon, Dali Madutlan sa mga sakit. So para di ka ma depressed, maybe from heartbreaks ayaw palabi palayo sa stressors. Anti-fragile ka, dili fragile. Ang fragile, mabuak kung maigo, ang Anti-fragile, mas mulig on kung masakitan. 

Complex system (big word) imo lawas, kung diin mamatay na siya kung kuhaan nimog stressor. Suma, sa allergy medicine or vaccinization, angay butangan gamay nga patay nga hugaw imong lawas para ma pukaw imong antibodies, para mangandam imong lawas. So para Di Ka Madutlan ug Sakit, mag pasakit ka gamay.

Dili ka washing machine nga mamatay kung sige ug damage. Kinahanglan nimo ang stress, up to a certain point. So para Di Madutlan, ayaw palayo sa mga kasakit. Paigo, pero ig human, palayo, para murecover. Suma, ang bodybuilder to grow muscles, mualsa ug bug-at, gision ang mga tissues sa muscles, then mupahuway. Ig ka recover, x2 sa original muscle mass na iya lawas. Suma, way kubal ang maporma sa kamot nga ga sige ra ug stambay.

Way kalmadong dagat ang nakapaamayo ug kapitan.

3. 

Some things benefit from shocks; they thrive and grow when exposed to volatility, randomness, disorder, and stressors and love adventure , risk, and uncertainty. Yet, in spite of the ubiquity of the phenomenon, there is no word for the exact opposite of fragile. Let us call it antifragile. Antifragility is beyond resilience or robustness. The resilient resists shocks and stays the same; the antifragile gets better. This property is behind everything that has changed with time: evolution, culture, ideas, revolutions, political systems, technological innovation, cultural and economic success, corporate survival, good recipes (say, chicken soup or steak tartare with a drop of cognac), the rise of cities, cultures, legal systems, equatorial forests, bacterial resistance … even our own existence as a species on this planet. And antifragility determines the boundary between what is living and organic (or complex), say, the human body, and what is inert, say, a physical object like the stapler on your desk. - Nassim Taleb

4.

*Vera-Chimera by beethy

5.

The antifragile loves randomness and uncertainty, which also means— crucially—a love of errors, a certain class of errors. Antifragility has a singular property of allowing us to deal with the unknown, to do things without understanding them— and do them well. Let me be more aggressive: we are largely better at doing than we are at thinking, thanks to antifragility. I’d rather be dumb and antifragile than extremely smart and fragile, any time.

6.

I saw ancient wisdom at work in the exact opposite of the situation in Abu Dhabi. My Levantine village of origin, Amioun, was pillaged and evacuated during the war, sending its inhabitants into exile across the planet. Twenty-five years later, it became opulent, having bounced back with a vengeance: my own house, dynamited, is now bigger than the previous version. My father, showing me the multiplication of villas in the countryside while bemoaning these nouveaux riches, calmly told me, “You, too, had you stayed here, would have become a beach bum. People from Amioun only do well when shaken.” That’s antifragility. - Nassim Taleb

7.  

Provided we have the right type of rigor, we need randomness, mess, adventures, uncertainty, self-discovery, near-traumatic episodes, all these things that make life worth living, compared to the structured, fake, and ineffective life of an empty-suit CEO with a preset schedule and an alarm clock. 

Even their leisure is subjected to a clock, squash between four and five, as their life is sandwiched between appointments. It is as if the mission of modernity was to squeeze every drop of variability and randomness out of life—with (as we saw in Chapter 5) the ironic result of making the world a lot more unpredictable, as if the goddesses of chance wanted to have the last word. - Nassim Taleb